Cobra Effect · Thinking and evidence

The availability heuristic

Vivid stories make rare dangers feel common.

6 cards, read aloud in 2:29, with a test and sources.

One old iron key lying alone in the middle of a bare wooden table

Which is more common: an English word starting with K, or one with K in third place?

Most people say the first. Words that start with K come to mind at once. Kitchen, king, kettle. Words with K third are harder to summon. Ask, bike, like. There are about twice as many of them.

Amos Tversky and Daniel Kahneman put that question in 1973.

They were studying how people judge how often things happen. Their finding was simple. We do not count. We try to remember examples. If examples come easily, we assume the thing is common.

That is the availability heuristic.

A heuristic is a shortcut. This one swaps a hard question, how frequent is this, for an easy one, how quickly can I think of a case. Usually that works, because common things are easy to recall. It breaks when something is easy to recall for another reason. Because it was vivid. Because it was recent. Because it was on the news.

Which is why people fear the plane and not the car.

A crash that kills 200 people is on every front page for a week. Roughly the same number die on American roads every two days, and it makes no front page at all. Per mile, flying is far safer. But the plane crash is available, and the car crashes are not.

After September 2001, the fear had a body count of its own.

Many Americans stopped flying and drove instead. The psychologist Gerd Gigerenzer worked out what that cost. In the year after the attacks, roughly 1,600 extra people died on the roads. They were avoiding the danger they could picture, by taking the one they couldn’t.

The fix is to notice the feeling, and then go and count.

When a risk feels big, ask why it feels big. Is it common, or is it just easy to picture? Then look for the number. Deaths per year. Cases per thousand. Anything counted rather than remembered. The story in your head is a sample of what was memorable, not of what happens.

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